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The seeds of Bliss Logic were planted in 2002, when Yanger’s current band mates drummer Lindsay D’Mello and bassist JD Thirumalai produced two tracks for Sleeping Buddha’s self-titled debut album. “Almost a year later, JD and I met up and, over a couple of beers, decided to record a track,” said Yanger. “Lindsay also got involved and we ended up spending a couple of recording sessions holed up in his music room, furiously crafting the track that was to be ‘Spill’.
The computer crashed after the last session and we ended up with a rough and unfinished mix that we had created the day earlier... that is the mix you will hear in the album. Anyway, somewhere along the line, I guess we all kinda gravitated towards writing more songs, jamming, hanging, recording, drinking, smoking, etc and four-to-fiver years later, we have The Big Thaw!!’” You may not find a lot of logic in the music of Bliss Logic but you will hopefully obtain a considerable amount of musical bliss.
“The tracks are just explorations of ideas, thoughts, moods, feelings... it’s intensely personal in that sense,” said Yanger. “But I’ve been told that it makes sense to a lot of people. So if it works... great.” Yanger’s lyrics are frequently abstract, but in the hands of D’Mello and Thirumalai –two formidable names in the Indian music scene – his diary entries are transformed into the kind of dreamy, ethereal rock that you could cosy up to a rainy night but just as easily chill out to a sun-kissed summer afternoon. “The music is pretty easy listening with bursts at parts of elements of electro, drum n’ bass, rock, jazz and blues, which create a mood of their own and have a subtle message of their own too, which is totally open to the listener’s perception,” said D’Mello.
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